Monday, June 11, 2012

Episode 6 - 11 - 12


Howdy and how do, adoring public. I guess this week the big news is the ubiquitous deflation of Prometheus (called it). Most people were disappointed for reasons they couldn't quite put their fingers on. Personally, I put a gigantic finger on Damon Lindelof, the "Lost" co-tard, who has again shown his alacrity for creating a good idea and then sharting it down his leg with poor execution masquerading as existential ambiguity. As an Alien prequel, it's inconsistent; as a metaphor on myth and creation, it fails due to a lack of internal logic; as a postmodern pastiche of Stanley Kubrick and Scott's own oeuvre, it baffles; as a space-chiller, it occasionally succeeds; as a visual deployment of ideas, it works, but the parts do not make a compelling whole. Ridley Scott has entered a weird phase of his own postmodern cycle, couched within the existing cultural postmodernism, wherein he references and/or inadvertently parodies his own canon. Like a cocktail party guest who makes his greatest remark five minutes in, he can only stand around awkwardly, gesturing to his lauded moments with increasing desperation, unable or unwilling to move on.

The Boom Operator felt the film was serviceable, citing the use of non-digital effects and the admittedly great performance from Michael Fassbender.

We heard music from the following:

Predator, 1987 - Alan Silvestri
Project Metalbeast, 1995 - Conrad Pope
Poltergeist II: The Other Side, 1986 - Jerry Goldsmith
Prometheus, 2012 - Marc Streitenfeld

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Tuesday, June 5, 2012

Episode 6 - 4 - 12


We return after a brief vacation in which the Boom Operator sojourned to America's weenie (fine, fine...Florida) ready to bring in da noise/funk, report on films we had seen, and kick off Season 3 of Tavern Trivia. Last week I caught Piranha 3DD, which, unlike its predecessor, was a pile of shit. Well, I'll elaborate: Piranha 3D was B-movie fun, a delectable pile of garbage with just the right amount of boobage and gore. Piranha 3DD doesn't even try: a fat-guy jumps on a pile of puke; a piranha swims up some girl's woo (because apparently she didn't notice) and then bites her lover's weenie, which he proceeds to slice off; a guy decapitates himself on plastic rope, his head lands betwixt a pair of silicone sweater-puppies and he is motor-boated posthumously. There's an art to trash, and just giggling with your friends about tits and splatter is bad, not because it's low-brow, but because it's lazy. The Boom Operator saw Men in Black III and offered shrugs.

We heard music from the following:

Men in Black III, 2012 - Danny Elfman
"Fraggle Rock", 1983-1987 - Various
Batman, 1989 - Danny Elfman
Back to the Future, 1985 - Alan Silvestri
Legend, 1985 - Tangerine Dream
Jaws 3D, 1983 - Alan Parker

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Episode 5 - 21 - 12


So, we're back after an off week (for the Gaffer, at least), and it seems like literally nothing has come out, and certainly nothing but gnats on The Avengers' shit, money-wise. I mean, goddamn Battleship? I'm still in awe of that. Look for Candyland in 3D and Imax next Friday. Tim Burton also shat out his 28th Depp/Carter project; a friend of mine had this to say about it: "Dark Shadows might not have felt so godawful if it wasn't pretty good at first. Then it jumped off the rails, off a cliff, into a boat, that sunk. But nobody had a chance to drown because everything exploded." Well said. Oh, new Wes Anderson and Men in Black movies are upcoming, so that's happening. You should listen to the show this week, is basically what I'm saying, if only for the part where I am urged by the Boom Operator to google and recite the definition to "rusty trombone," a phrase that I dropped without knowing its meaning. Oh dear.

We heard music from the following:

Dark Shadows, 1966-1971 - Robert Costella
Buckaroo Bonzai, 1984 - Michael Boddicker
Cat People, 1982 - Giorgio Moroder & David Bowie
My Neighbor Totoro, 1988 - Joe Hisaishi
Men in Black, 1997 - Danny Elfman
Swamp Thing, 1982 - Harry Manfredini


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